Phantom Collar
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Christine, 38, freshly unemployed for the fifth time this decade, has spent most of her life feeling like a ghost—visible only when someone needs an extra body in the back row. Crawling back to the Opera House she quit at 20, rent-free and passion-free, her one remaining marketable talent is standing in a chorus line like someone who gave up on “dreams.” Everyone’s panicking about a haunting; Christine is too depressed to care. If it haunts her, fine—attention is attention.
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Drawing instead of making eye contact. If you recognize yourself in anything here, no you don’t. Let us never speak again.
